Jan Hakan Aberg; Waldemar Ahlen; Ola Gjeilo; Marten Jansson; Jorgen Jersild; Nils Lindberg; Jaakko Mantyjarvi; Per Norgard; Knut Julkaisija: Hänssler (2021) CD-levy
Jörgen Lindh; Stefan Hrastinski; Christina Keller; Marie Mörndal; Linda Reneland-Forsman; Anders D Olofsson; Ola Lindberg Studentlitteratur (2011) Pehmeäkantinen kirja
Ola Hellsten; Fredrik Strömberg; Natalia Batista; Anders Lundgren; Nisse Lindberg; Axel Trumpfheller; Øyvind Holen Seriefrämjandet (2014) Lehtivihko, moniste
Ove Jobring; Urban Carlén; Mats Heide; Ola Berge; Annita Fjuk; Jimmy Jaldemark; Ola Lindberg; Anders D. Olofsson; Mona Nilsen Studentlitteratur AB (2005) Pehmeäkantinen kirja
Bo Ranman; Dag Persson; Fukuda Chiyo-ni; Matsuo Basho; Ola Lindberg; Anna Maris; Arakida Moritake; Kerstin Park; Yamaguchi Sodo Fri Press Fridens höjd (2021) Pehmeäkantinen kirja
Bo Ranman; Dag Persson; Matsuo Basho; Yosa Buson; Fukuda Chiyo-ni; Lars Granström; Ola Lindberg; Masaoka Shiki; Peter Svensson Fri Press Fridens höjd (2022) Pehmeäkantinen kirja
Anders Vahlquist; Charlotta Enerbäck; Magnus Lindberg; Katarina Lundqvist; Elisabet Nylander; John Paoli; Ola Rollman Studentlitteratur AB (2012) Kovakantinen kirja
Fredrik Strömberg; Allan Haverholm; Nisse Lindberg; Göran Ribe; Claes Reimerthi; Grant Morrison; Ola Hellsten Seriefrämjandet (2016) Lehtivihko, moniste
Anders Vahlquist; Charlotta Enerbäck; Magnus Lindberg; Katarina Lundqvist; Elisabet Nylander; John Paoli; Ola Rollman Studentlitteratur (2017) Pehmeäkantinen kirja
Hänssler Asu: CD-levy Vuosi: 2021, 07.01.2021 Kieli: und
Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann
WDR Rundfunkchor Köln, Stefan Parkman
Åberg, Jan Håkan: I himmelen, i himmelen (3:46)
Gjeilo, Ola: Ubi caritas (4:02)
Åhlén, Waldemar: Sommarpsalm (3:01)
Jansson, Mårten: Stillae (6:51)
Parkman, Håkan: Till Österland (3:03)
Jansson, Mårten: Maria IV (5:14)
Sandström, Jan: Sanctus (4:11)
Nystedt, Knut: Immortal Bach (5:44)
Sandström, Jan: Biegga Luohte (5:10)
Norgård, Per: Gaudet mater (1:21)
Jersild, Jorgen: Min Yndlingsdal (3:56)
Norgård, Per: Flos ut rosa floruit (3:13)
Lindberg, Nils: Shall I compare thee to a summer’s day (2:58)
Mäntyjärvi, Jaakko: Canticum calamitatis maritimae (11:15)
Rautavaara, Einojuhani): Die erste Elegie (8:49)
Sagas, myths, vast realms. Snow-capped mountains, dark forests and an overarching stillness and peace. The cultures of Scandinavia have always exerted a huge fascination over people. Scandinavian music is often purported to possess a mystical and “typically Nordic” sound, and even if such a causal association cannot be applied in too much of a sweeping generalization, there are nevertheless frequently recurring characteristics: in particular, in the post-war generation there developed in Scandinavian choral music a strong orientation towards folk music and folk songs; choral singing became a significant medium of expression in middle-class music circles. The important relationship between human beings and Nature – as a result of the strong influence in Scandinavia of the changing seasons on people’s everyday lives – along with fundamental questions about life and death were ever-present topics in those countries’ choral music. Using modern-day musical resources, many works emerged in vernacular style and the boundaries between the art song and the folk song became blurred. Contemporary trends developed swiftly, the human voice was deployed in far more diverse ways than ever before: speaking, screaming, clucking, whistling and so on all took on equal weight within Scandinavian choral music together with improvisation and the use of empty syllables. Novel sounds and unusual scores were soon setting the tone and new standards on the Scandinavian choral scene began leading to a continual professionalisation that was to make waves across all of Europe.
