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Kate Bonansinga | Akateeminen Kirjakauppa

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Curating at the Edge - Artists Respond to the U.S./Mexico Border
Kate Bonansinga; Lucy Lippard
MU - University of Texas Press (2014)
Saatavuus: Painos loppu
Pehmeäkantinen kirja
24,90
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Renwick Craft Invitational: Staged Stories
Kate Bonansinga
Scala Books (2009)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
59,00
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ostoskoriin kpl
Siirry koriin
Curating at the Edge: Artists Respond to the U.S.
Kate Bonansinga
UNIV OF TEXAS PR (2014)
Saatavuus: Tilaustuote
Kovakantinen kirja
50,60
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ostoskoriin kpl
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Cowboys, Indians, and the Big Picture
Heather Fryer; Kate Bonansinga; Marilynn Johnson; Eva Marie Garroutte
The University of Chicago Press (2002)
Saatavuus: Painos loppu
Pehmeäkantinen kirja
32,70
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Curating at the Edge - Artists Respond to the U.S./Mexico Border
24,90 €
MU - University of Texas Press
Sivumäärä: 296 sivua
Asu: Pehmeäkantinen kirja
Julkaisuvuosi: 2014, 06.01.2014 (lisätietoa)
Kieli: Englanti
Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics.

The Rubin’s location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists’ working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.

Introduction by: Lucy Lippard

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