Pawan K. Singal; Ian M.C. Dixon; Lorrie A. Kirshenbaum; Naranjan S. Dhalla Springer-Verlag New York Inc. (2003) Saatavuus: Tilaustuote Kovakantinen kirja
Pawan K. Singal; Ian M.C. Dixon; Lorrie A. Kirshenbaum; Naranjan S. Dhalla Springer-Verlag New York Inc. (2012) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Pawan K. Singal (ed.); Ian M.C. Dixon (ed.); Robert E. Beamish (ed.); Naranjan S. Dhalla (ed.) Springer (2012) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Naranjan S. Dhalla (ed.); Peter Zahradka (ed.); Ian M.C. Dixon (ed.); Robert E. Beamish (ed.) Springer (2012) Saatavuus: Tilaustuote Pehmeäkantinen kirja
The first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artist of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting.
Bowie’s considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie’s mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.
