National Research Council; Division on Earth and Life Studies; Board on Environmental Studies and Toxicology; Committee on Human National Academies Press (2006) Pehmeäkantinen kirja
Schumann: Cello Concerto in A minor, Op. 129
Schumann: Klavierstücke (12) für kleine und große Kinder, Op. 85
Schumann: Liederkreis, Op. 39. No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra)
Schumann: Stücke im Volkston (5), Op. 102. No. 2, Langsam (Arr. Rot for Cello and Orchestra)
Schumann: Liederkreis, Op. 39. No. 5, Mondnacht (Arr. Rot for Cello and Orchestra)
Schumann: Myrthen, Op. 25. No. 7, Die Lotusblume (Transcr. Soltani for Cello and Piano)
Schumann: Dichterliebe, Op. 48. No. 10, Hör' ich das Liedchen klingen (Transcr. Soltani for Cello and Piano)
Schumann: Liederkreis, Op. 39. No. 1, In der Fremde (Transcr. Soltani for Cello and Piano)
Schumann: Waldszenen, Op. 82. No. 9, Abschied (Transcr. Soltani for Cello and Piano)
Schumann: Liederkreis, Op. 39. No. 9, Wehmut (Transcr. Soltani for Cello and Piano)
Schumann: Liederalbum für die Jugend, Op. 79. No. 27, Schneeglöckchen (Transcr. Soltani for Cello and Piano)
Schumann: Myrthen, Op. 25. No. 1, Widmung (Transcr. Soltani for Cello and Piano)
Schumann, Clara: Lieder (6), Op. 13. No. 1, Ich stand in dunklen Träumen (Transcr. Soltani for Cello and Piano)
“His music is poetry – few other composers are as capable of triggering such powerful associations in me as Robert Schumann” writes Kian Soltani in his own liner notes for his much-anticipated, all-Schumann release. Together with Camerata Salzburg, the young cellist – described by Gramophone as “sheer perfection“ – simultaneous plays and conducts the monumental Cello Concerto, as well as orchestrated songs. Additionally, the album includes a smattering of Soltani’s most cherished lieder transcriptions, accompanied by pianist Julien Quentin.
