Holly Deemer Rogerson; Gary Esarey; Suzanne Hershelman; Carol Jasnow; Linda Schmandt; Dorolyn Smith The University of Michigan Press (1992) Pehmeäkantinen kirja
Holly Deemer Rogerson; Gary Esarey; Suzanne Hershelman; Carol Jasnow; Carol Moltz; Linda Schmandt; Dorolyn Smith The University of Michigan Press (1992) Pehmeäkantinen kirja
Holly Deemer Rogerson; Gary Esarey; Suzanne T. Hershelman; Carol Jasnow; Carol Moltz; Linda M. Schmandt; Dorolyn A. Smith The University of Michigan Press (1996) Moniviestin
Holly Deemer Rogerson; Gary Esarey; Suzanne T. Hershelman; Carol Jasnow; Linda M. Schmandt; Dorolyn A. Smith; C Snellings The University of Michigan Press (1996) Moniviestin
This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.