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Gabriella Safran | Akateeminen Kirjakauppa

Haullasi löytyi yhteensä 9 tuotetta
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Recording Russia - Trying to Listen in the Nineteenth Century
Gabriella Safran
Cornell University Press (2022)
Kovakantinen kirja
53,40
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Writing Jewish Culture - Paradoxes in Ethnography
Gabriella Safran; Andreas Kilcher; Liliane Weissberg; Sylvia Jaworski; Jordan Finkin
MH - Indiana University Press (2016)
Kovakantinen kirja
84,20
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ostoskoriin kpl
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Writing Jewish Culture - Paradoxes in Ethnography
Gabriella Safran; Andreas Kilcher; Liliane Weissberg; Sylvia Jaworski; Jordan Finkin
MH - Indiana University Press (2016)
Pehmeäkantinen kirja
34,50
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ostoskoriin kpl
Siirry koriin
Culture Front - Representing Jews in Eastern Europe
Benjamin Nathans; Gabriella Safran
MT - University of Pennsylvania Press (2008)
Kovakantinen kirja
74,70
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The Whole World in a Book - Dictionaries in the Nineteenth Century
Sarah Ogilvie; Gabriella Safran
Oxford University Press Inc (2020)
Kovakantinen kirja
35,20
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ostoskoriin kpl
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Wandering Soul - The Dybbuk’s Creator, S. An-sky
Gabriella Safran
Harvard University Press (2010)
Kovakantinen kirja
36,30
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The Worlds of S. An-sky - A Russian Jewish Intellectual at the Turn of the Century
Gabriella Safran; Steven J. Zipperstein
Stanford University Press (2006)
Pehmeäkantinen kirja
36,80
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Rewriting the Jew - Assimilation Narratives in the Russian Empire
Gabriella Safran
Stanford University Press (2002)
Kovakantinen kirja
70,00
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The Worlds of S. An-sky - A Russian Jewish Intellectual at the Turn of the Century
Gabriella Safran; Steven J. Zipperstein
Stanford University Press (2006)
Kovakantinen kirja
131,60
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Recording Russia - Trying to Listen in the Nineteenth Century
53,40 €
Cornell University Press
Sivumäärä: 300 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2022, 15.11.2022 (lisätietoa)
Kieli: Englanti
Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions.


Nineteenth-century writers belonged to a distinctive media generation using new communication technologies—not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words.

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