Evy Andersson; Sven Eric Bergström; Louise Brodin; Bosse Carsing; Mats Ekdahl; Gudrun Ekeflo; Kaa Eneberg; Lena Engfeldt Hjalmarson & Högberg Bokförlag (2012) Kovakantinen kirja
Erich Berger (toim.); Kasperi Mäki-Reinikka (toim.); Kira O'Reilly (toim.); Helena Sederholm (toim.) Aalto-yliopiston taiteiden ja suunnittelun korkeakoulu, Aalto Arts Books (2020) Pehmeäkantinen kirja
Hot on the heels of their acclaimed recording of Britten’s Peter Grimes, Stuart Skelton and Edward Gardner join forces with Christine Rice and the BBC Symphony Orchestra for this fascinating programme of early twentieth-century works. Schoenberg’s Verklärte Nacht needs no introduction, but far rarer is Oscar Fried’s contemporaneous setting of the same poem. Composed in 1901 for soloists and orchestra, Fried’s version is a true setting of (as opposed to Schoenberg’s reflection on) the text by Richard Dehmel. Lehár wrote Fieber in 1915 as the closing part of his song cycle Aus eiserner Zeit – he then made the orchestral setting a year later. Korngold’s Lieder des Abschieds (Songs of Farewell) date from the early 1920s, whilst he was still in Vienna, and shortly after he had completed the opera Die tote Stadt. Setting poetry by Christina Rossetti, Edith Ronsperger, and Ernst Lothar, the cycle is a poignant reflection on the Great War.
"As his recent recording of Peter Grimes with Gardner attested, Skelton does anguished delirium very well, though if anything he sounds in healthier voice here...Gardner’s pacing of the big climaxes is once again absolutely spot-on, and the Chandos engineers work their usual wonders in providing ample space for the sound to glow or blaze as required." - Katherine Cooper, Presto Classical, 1st January 2020.
