Anthony S. Bryk; Penny Bender Sebring; Elaine Allensworth; John Q. Easton; Stuart Luppescu The University of Chicago Press (2010) Saatavuus: Painos loppu Kovakantinen kirja
Anthony S. Bryk; Penny Bender Sebring; Elaine Allensworth; John Q. Easton; Stuart Luppescu The University of Chicago Press (2010) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
