Dorothee Oberlinger (recorder/director), Andreas Scholl (counter-tenor)
Ensemble 1700
Bach, J S: Jesus schläft, was soll ich hoffen? (from Cantata BWV81)
Bach, J S: Brandenburg Concerto No. 4 in G major, BWV1049
Bach, J S: Cantata BWV170 'Vergnügte Ruh, beliebte Seelenlust'
Bach, J S: Harpsichord Concerto No. 5 in F Minor, BWV 1056, Arr. for Fourth Flute and Strings
Bach, J S: Cantata BWV182 'Himmelskönig, sei willkommen': Sinfonia
Bach, J S: Cantata BWV182 'Himmelskönig, sei willkommen': Leget euch dem Heiland unter
Bach, J S: Brandenburg Concerto No. 2 in F Major, BWV1047
Bach, J S: Cantata BWV119 'Preise, Jerusalem, den Herrn': V. Die Obrigkeit ist Gottes Gabe
Bach, J S: Herz und Mund und Tat und Leben, BWV 147: X. Jesus bleibet meine Freude (Choral)
"Scholl’s voice, with its bright directness and woody lower register, is a natural partner for Oberlinger’s solo recorders…There’s an edgier, more complicated quality to Scholl’s voice these days that lends itself better to minor-key arias with their human frailties and doubts…Sinkovsky’s many solo contributions to the disc are real attention-grabbers – period string-playing of the very finest order." - Gramophone Magazine February 2018
