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THE OPERAS OF ALESSANDRO SCARLATTI

D'Accone; Frank A.
Harvard University, Department of Music,U.S. (1982)
Pehmeäkantinen kirja

52,90 €

MUSIC AND MUSICIANS IN 16TH-CENTURY FLORENCE

D’Accone; Frank A.
Taylor & Francis Ltd (2007)
Kovakantinen kirja

164,60 €

MUSIC IN RENAISSANCE FLORENCE: STUDIES AND DOCUMENTS

D'Accone; Frank A.
Taylor & Francis Ltd (2006)
Kovakantinen kirja

48,90 €

MUSIC AND MUSICIANS IN 16TH-CENTURY FLORENCE

D’Accone; Frank A.
Taylor & Francis Ltd (2019)
Pehmeäkantinen kirja

56,50 €

THE CIVIC MUSE - MUSIC & MUSICIANS IN SIENA DURING THE MIDDLE AGES & THE RENAISSANCE

Frank D'accone
University of Chicago Press (1997)
Kovakantinen kirja

101,10 €

WE WRITE WHAT WE LIKE - CELEBRATING STEVE BIKO

Darryl Accone; Zithulele Cindi; Saths Cooper; Duncan Innes; Jonathan D Jansen; Bokwe Mafuna; Mosibudi Mangena; Tha Mbeki
Wits University Press (2007)
Pehmeäkantinen kirja

34,20 €

HISTORY OF A BAROQUE OPERA - SCARLATTI`S GLI EQUIVOCI NEL SEMBIANTE

Frank D`accone
Boydell and Brewer (1985)
Kovakantinen kirja

63,00 €

LACAME 2008 - PROCEEDINGS OF THE 11TH LATIN AMERICAN CONFERENCE ON THE APPLICATIONS OF THE MÖSSBAUER EFFECT, (LACAME 2008) HELD

J. Desimoni; C. P. Ramos; Bibiana Arcondo; F. D. Saccone; R.C. Mercader
Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2010)
Kovakantinen kirja

129,90 €

LACAME 2008 - PROCEEDINGS OF THE 11TH LATIN AMERICAN CONFERENCE ON THE APPLICATIONS OF THE MÖSSBAUER EFFECT, (LACAME 2008) HELD

J. Desimoni; C. P. Ramos; Bibiana Arcondo; F. D. Saccone; R.C. Mercader
Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2014)
Pehmeäkantinen kirja

129,90 €

The Operas of Alessandro Scarlatti

D'Accone, Frank A.

52,90 €

Harvard University, Department of Music,U.S.
Asu: Pehmeäkantinen kirja
Julkaisuvuosi: 1982, 26.05.1982 (lisätietoa)
Kieli: Englanti

This acclaimed edition is making available authentic versions of the works of a key figure in the history of opera.

Gli Equivoci nel Sembiante (1679), Alessandro Scarlatti’s first opera, is a comedy of mistaken identities and amorous intrigues in the pastoral mode. It was one of the most popular and widely performed works of the composer’s long career. A small cast and simple scenic requirements make it an ideal work for performances today.

In preparing the score presented here, Frank A. D’Accone compared the six extant manuscripts. His Introduction sketches the opera’s history and discusses performance practice. A translation of the libretto is appended.

Composed by: Alessandro Scarlatti
General editor: Donald Jay Grout

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