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Courtney Nimura | Akateeminen Kirjakauppa

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Prehistoric Rock Art in Scandinavia
Courtney Nimura
Oxbow Books Limited (2015)
Pehmeäkantinen kirja
64,50
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Art in the Eurasian Iron Age
Courtney Nimura; Helen Chittock; Peter Hommel; Chris Gosden
Oxbow Books (2019)
Kovakantinen kirja
63,60
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Sentient Archaeologies - Global Perspectives on Places, Objects, and Practice
Courtney Nimura; Rebecca O’Sullivan; Richard Bradley
Oxbow Books (2023)
Kovakantinen kirja
67,60
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
The Use and Reuse of Stone Circles: Fieldwork at Five Scottish Monuments and Its Implications
Richard Bradley; Courtney Nimura
WINDGATHER PR (2016)
Pehmeäkantinen kirja
90,20
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Public Archaeology and Climate Change
Tom Dawson; Courtney Nimura; Elías López-Romero; Marie-Yvane Daire
Oxbow Books Limited (2017)
Pehmeäkantinen kirja
87,20
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Rethinking Migrations in Late Prehistoric Eurasia
Manuel Fernández-Götz; Courtney Nimura; Philipp W. Stockhammer; Rachel Cartwright
Oxford University Press (2022)
Kovakantinen kirja
108,70
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Prehistoric Rock Art in Scandinavia
64,50 €
Oxbow Books Limited
Sivumäärä: 160 sivua
Asu: Pehmeäkantinen kirja
Julkaisuvuosi: 2015, 30.11.2015 (lisätietoa)
Kieli: Englanti
Tuotesarja: Swedish Rock Art Research 4
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and re-examines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape

Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyse the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities.

Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

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Siirry koriin
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ISBN:
9781785701191
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