Carl Abrahamsson; Sara George; Sasha Chaitow; Vanessa Sinclair; Kendell Geers; Stephen Sennitt; Antony Hequet Edda Publishing (2014) Pehmeäkantinen kirja
Carl Abrahamsson; Jason Louv; Patrick Lundborg; Gary Lachman; Timothy O'Neill; Dianus Del Bosco Sacro; Philip Farber Edda Publishing (2014) Pehmeäkantinen kirja
Carl Abrahamsson; Vanessa Sinclair; Gary Lachman; Katelan Foisy; Sharron Kraus; Demetrius Lacroix; Graham Duff; Ken Henson Trapart (2017) Pehmeäkantinen kirja
Martin Palmer; Carl Abrahamsson; Vicki Bennett; Z'ev; Peter Grey; Alkistis Dimech; Jesper Aagaard Petersen; Angela Edwards Trapart (2014) Pehmeäkantinen kirja
An intimate exploration of the life, philosophy, and lasting occult influence of Anton LaVey, the founder of the Church of Satan
With his creation of the infamous Church of Satan in 1966 and his bestselling book The Satanic Bible in 1969, Anton Szandor LaVey (1930-1997) became a controversial celebrity who basked in the attention and even made a successful career out of it. But who was Anton LaVey behind the public persona that so easily provoked Christians and others intolerant of his views?
One of privileged few who spent time with the “Black Pope” in the last decade of his life, Carl Abrahamsson met Anton LaVey in 1989, sparking an “infernally” empowering friendship. In this book Abrahamsson explores what LaVey was really about, where he came from, and how he shaped the esoteric landscape of the 1960s. The author shares in-depth interviews with the notorious Satanist’s intimate friends and collaborators, including LaVey’s partner Blanche Barton, his son Xerxes LaVey, current heads of the Church of Satan Peter Gilmore and Peggy Nadramia, occult filmmaker Kenneth Anger, LaVey’s personal secretary Margie Bauer, film collector Jack Stevenson, and film historian Jim Morton. Abrahamsson also shares never-before-published material from LaVey himself, including discussions between LaVey and Genesis P-Orridge and transcripts from LaVey’s never-released “Hail Satan!” video.
Providing inside accounts of the Church of Satan and activities at the Black House, this intimate exploration of Anton LaVey reveals his ongoing role in the history of culture and magic.