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Annegret Fauser | Akateeminen Kirjakauppa

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Musical Encounters at the 1889 Paris World`s Fair
Annegret Fauser
University of Rochester Press (2005)
Kovakantinen kirja
134,10
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Performing Commemoration - Musical Reenactment and the Politics of Trauma
Annegret Fauser; Michael A. Figueroa
LUP - University of Michigan Press (2020)
Kovakantinen kirja
95,40
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ostoskoriin kpl
Siirry koriin
Words and Notes in the Long Nineteenth Century
Phyllis Weliver; Katharine Ellis; Annegret Fauser; Cormac Newark; David Evans
Boydell Press (2013)
Kovakantinen kirja
110,00
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Music, Theater, and Cultural Transfer - Paris, 1830-1914
Annegret Fauser; Mark Everist
The University of Chicago Press (2009)
Kovakantinen kirja
88,30
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ostoskoriin kpl
Siirry koriin
Sounds of War - Music in the United States during World War II
Annegret Fauser
OUP USA (2013)
Kovakantinen kirja
48,70
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ostoskoriin kpl
Siirry koriin
The Politics of Musical Identity - Selected Essays
Annegret Fauser
Taylor & Francis Ltd (2015)
Kovakantinen kirja
238,80
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ostoskoriin kpl
Siirry koriin
Aaron Copland's Appalachian Spring
Annegret Fauser
OUP USA (2017)
Kovakantinen kirja
85,50
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ostoskoriin kpl
Siirry koriin
Aaron Copland's Appalachian Spring
Annegret Fauser
Oxford University Press Inc (2017)
Pehmeäkantinen kirja
18,30
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Performing Commemoration - Musical Reenactment and the Politics of Trauma
Annegret Fauser; Michael A. Figueroa
The University of Michigan Press (2020)
Pehmeäkantinen kirja
38,00
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
The Politics of Musical Identity - Selected Essays
Annegret Fauser
Taylor & Francis Ltd (2020)
Pehmeäkantinen kirja
56,60
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Musical Encounters at the 1889 Paris World`s Fair
134,10 €
University of Rochester Press
Sivumäärä: 416 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2005, 15.10.2005 (lisätietoa)
Kieli: Englanti
Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, thereby revealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.

The 1889 Exposition Universelle in Paris has become famous as a turning point in the history of French music, and modern music generally. For the first time, Debussy and his fellow composers could be inspired by Javanese gamelan music, while the Russian concerts conducted by Rimsky-Korsakov brought recent music by the Mighty Five to Parisian ears.
But the 1889 World's Fair had much wider musical and cultural ramifications; one contemporary described it as a "gigantic encyclopedia, in which nothing was forgotten." Music was so pervasive at the 1889 Exposition Universelle that newspaper journalists compared the sonic side of the affair to a "musical orgy." Musical encounters at the fair ranged from bandstand marches to folk and non-Western ensembles to symphonic and operatic premieres by Massenet to the mass-marketed Edison phonograph.
A rich and vivid literature [from newspaper columns to memoirs that are plumbed here for the first time] comments about this sonic landscape, reflecting the reactions and responses of composers [Saint-Saëns], writers [Judith Gautier], and journalists [Gaston Calmette].
Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the Exposition Universelle. It thereby also reveals the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.

Annegret Fauser is Associate Professor of Music at the University of North Carolina at Chapel Hill. Her many publications include books on French Wagnerism, Massenet's opera Esclarmonde, and French orchestral songs from Berlioz to Ravel.

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Musical Encounters at the 1889 Paris World`s Fairzoom
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ISBN:
9781580461856
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