Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.



The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German and Austrian society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German-language cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinéma vérité and US direct cinema.

Contributors: Marco Abel, Tilman Baumgärtel, Madeleine Bernstorff, Timothy Scott Brown, Michael Dobstadt, Sean Eedy, Thomas Elsaesser, IanFleishman, Christina Gerhardt, Lisa Haegele, Randall Halle, Priscilla Layne, Ervin Malakaj, Kalani Michell, Evelyn Preuss, Patricia Anne Simpson, Fabian Tietke, Andrew Stefan Weiner.

Christina Gerhardt is Associate Professor of German and Film Studies at the University of Hawai'i at Manoa. Marco Abel is Professor of English and Film Studies at the University of Nebraska-Lincoln.

Contributions by: Andrew Stefan Weiner, Christina Gerhardt, Ervin Malakaj, Evelyn Preuss, Fabian Tietke, Ian Fleishman, Kalani Michell, Lisa Haegele, Madeleine Bernstorff, Marco Abel, Michael Dobstadt, Patricia Anne Simpson, Priscilla Layne, Randall Norman Halle, Sean Eedy, Thomas Elsaesser, Tilman Baumgärtel, Timothy Scott Brown