Allan Haverholm; Ola Hellsten; Fredrik Strömberg; Erle Marie Sørheim; Martina Stoltz; Bo Asti; David Haglund; Allan Haverholm Seriefrämjandet (2015) Lehtivihko, moniste
Allan Haverholm; Charlotta Lindkvist; Louise C. Larsen; Nicolas Krizan; Thomas Storn; Christophe Blain; Joel Gordon Hultsjö Seriefrämjandet (2018) Lehtivihko, moniste
Oskar Aspman; Mattias Elftorp; Sofia Falkenhem; Martin Flink; Allan Haverholm; Susanne Johansson; Jamil Mani C´est Bon Kultur (2010) Pehmeäkantinen kirja
Niklas Asker; Allan Haverholm; Victor Kerlow; Lars Krantz; Jess Smart Smiley; Lawrence Marvit; Veiko Tammjärv; Rikke Villadsen C´est Bon Kultur (2011) Pehmeäkantinen kirja
Magda Boreysza; Warren Craghead III; Eliza Frye; Allan Haverholm; Dunja Jankovic; Sarah Kläpp; Andrei Molotiu; Shalo P C´est Bon Kultur (2011) Pehmeäkantinen kirja
Derik Badman; Anna Degnbol; Oliver East; Mikaela Elf; Leif Engström; Christoffer Frostgård; Tym Godek; Allan Haverholm C´est Bon Kultur (2012) Pehmeäkantinen kirja
Fredrik Strömberg; Allan Haverholm; Nisse Lindberg; Göran Ribe; Claes Reimerthi; Grant Morrison; Ola Hellsten Seriefrämjandet (2016) Lehtivihko, moniste
Sajan Rai; Gonzalo de las Heras; Allan Haverholm; Mattias Elftorp; Susanne Johansson; Caroline Ulvros; Stefan Petrini C´est Bon Kultur (2021) Pehmeäkantinen kirja
C´est Bon Kultur Sivumäärä: 72 sivua Asu: Kovakantinen kirja Painos: 0 Julkaisuvuosi: 2015, 09.05.2015 (lisätietoa) Kieli: Englanti
“When the last story is told, its absence rings with colour: Shapes & structure linger”– Like the clap of thunder when the air rushes to fill the vacuum from a supersonic plane, Allan Haverholm poses the question: When the last story is told, what fills the space it leaves? In the latest book by visual artist Allan Haverholm, narrative gives way to another order of meaning. Although the pages are divided into comic book grids there is nothing to constitute a traditional story, or even pictures in a sense that one would expect. The only text in the book, quoted above, frames the 60 pages of minimalist colour compositions alternatingly obscured with bold strokes of white paint and abstract, black textures. The book questions one of the basic elements of our culture: storytelling and its underlying structures. Its very title suggests a potential end of narrative, but also that something else may fill the gap, a still-fluid substance or undefined fictional construct forming after this universal aphasia. Like a message from an alien mind, When the last story is told is loaded with meaning encoded in an undecipherable language.