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YUN CH'OE | Akateeminen Kirjakauppa

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There a Petal Silently Falls - Three Stories by Ch'oe Yun
Ch'oe Yun
Columbia University Press (2008)
Kovakantinen kirja
37,40
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ostoskoriin kpl
Siirry koriin
Lautlos fällt eine Blüte
Ch'oe Yun
Pendragon Verlag (2003)
Kovakantinen kirja
40,90
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ostoskoriin kpl
Siirry koriin
Mannequin
Ch'Oe Yun
Deep Vellum Publishing (2016)
Pehmeäkantinen kirja
13,20
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
There a Petal Silently Falls - Three Stories by Ch'oe Yun
Ch'oe Yun
Columbia University Press (2020)
Pehmeäkantinen kirja
24,80
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
MANIQUI
YUN CH'OE
VERBUM (2007)
Pehmeäkantinen kirja
16,60
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There a Petal Silently Falls - Three Stories by Ch'oe Yun
37,40 €
Columbia University Press
Sivumäärä: 200 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2008, 22.05.2008 (lisätietoa)
Kieli: Englanti
Ch'oe Yun is a Korean author known for her breathtaking versatility, subversion of authority, and bold exploration of the inner life. Readers celebrate her creative play with fantasy and admire her deep engagement with trauma, history, and the vagaries of remembrance. In this collection's title work, There a Petal Silently Falls, Ch'oe explores both the genesis and the aftershocks of historical outrages such as the Kwangju Massacre of 1980, in which a reported 2,000 civilians were killed for protesting government military rule. The novella follows the wanderings of a girl traumatized by her mother's murder and strikes home the injustice of state-sanctioned violence against men and especially women. "Whisper Yet" illuminates the harsh treatment of leftist intellectuals during the years of national division, at the same time offering the hope of reconciliation between ideological enemies. The third story, "The Thirteen-Scent Flower," satirizes consumerism and academic rivalries by focusing on a young man and woman who engender an exotic flower that is coveted far and wide for its various fragrances.
Elegantly crafted and quietly moving, Ch'oe Yun's stories are among the most incisive portrayals of the psychological and spiritual reality of post-World War II Korea. Her fiction, which began to appear in the late 1980s, represents a turn toward a more experimental, deconstructionist, and postmodern Korean style of writing, and offers a new focus on the role of gender in the making of Korean history.

Translated by: Bruce Fulton, Ju-Chan Fulton

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