Omotoso; Dr Victoria Olaide (Lecturer at University of Southampton; University of Exeter and University of Southampton; UK) Bloomsbury Publishing PLC (2025) Kovakantinen kirja
A.H. Hermann (Queen Mary& London University Westfield College; and Editor, Financial Times Business Law Brief, UK) Springer (1973) Pehmeäkantinen kirja
Hammill, Professor Faye (Professor of English, University of Strathclyde, UK, University of Strathclyde, UK); Professor Hussey Bloomsbury Publishing PLC (2016) Pehmeäkantinen kirja
Dawson; John (University of Stirling; UK University of Edinburgh; UK Professor of Marketing; Department of Business Sutdies; Uni Baker Publishing Group (1995) Pehmeäkantinen kirja
Webb; Dr Geoffrey (University of East London; UK University of East London; UK University of East London; UK University of East BBC Audio, A Division Of Random House (2011) CD-levy
Harris; Richard (University of Bristol; UK University of Southampton; UK University of Southampton; UK University of Southampton Book on Demand Ltd. (2013)
Wilson; James (University of London; University of Leeds; UK The University of Leeds; UK University of London University of Lond Book on Demand Ltd. (2013)
Harris; Richard (University of Bristol; UK University of Southampton; UK University of Southampton; UK University of Southampton Book on Demand Ltd. (2013)
Murdoch; John (Emeritus Professor of Law University of Reading UK University of Reading; UK University of Reading; UK University Book on Demand Ltd. (2013)
Price; John (UNIV OF NORTH TEXAS University of Sunderland; UK University of Sunderland; UK UNIV OF NORTH TEXAS UNIV OF NORTH TEX Book on Demand Ltd. (2013)
Baldwin; Professor of Philosophy Thomas (University of York; UK University of York University of York University of York Univers Book on Demand Ltd. (2013)
John (University of Puget Sound Consulting Engineer UK University of Puget Sound University of Puget Sound University Woodward Book on Demand Ltd. (2013)
This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world.
Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.
