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Samuel W - Black | Akateeminen Kirjakauppa

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Through the Lens of Allen E. Cole - A Photographic History of African Americans in Cleveland, Ohio
Samuel W. Black; Regennia N. Williasm
Kent State University Press (2012)
Saatavuus: Painos loppu
Kovakantinen kirja
32,40
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Veto Messages of Hon. Samuel W. Black, Governor of Nebraska, on the Bills to Prohibit Slavery - Passed at the Sessions of 1860 a
Samuel W Black
Forgotten Books (2016)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
43,70
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Address Delivered Before the Tilghman Literary Society
Samuel W - Black
Wentworth Press (2016)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
36,80
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Address Delivered Before the Tilghman Literary Society
Samuel W - Black
Wentworth Press (2016)
Saatavuus: Hankintapalvelu
Kovakantinen kirja
53,80
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Soul Soldiers
Samuel W. Black
Historical Society of Western Pennsylvania (2006)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
46,10
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Veto Messages of Hon. Samuel W. Black, Governor of Nebraska, on the Bills to Prohibit Slavery: Passed at the Sessions of 1860 an
Samuel W. Black
FB&C LTD (2019)
Saatavuus: Hankintapalvelu
Kovakantinen kirja
60,50
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The Vital Forces of Christianity and Islam: Six Studies by Missionaries to Moslems
W. H. T. - Gairdner; Samuel Marinus Zwemer; Duncan Black MacDonald
Nabu Press (2010)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
59,00
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The Vital Forces of Christianity and Islam: Six Studies by Missionaries to Moslems
Samuel Marinus Zwemer; Duncan Black Macdonald; W. H. T. Gairdner
SWING (2015)
Saatavuus: Hankintapalvelu
Kovakantinen kirja
76,10
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The Vital Forces of Christianity and Islam: Six Studies by Missionaries to Moslems
Samuel Marinus Zwemer; Duncan Black Macdonald; W. H. T. Gairdner
CHIZINE PUBN (2018)
Saatavuus: Hankintapalvelu
Pehmeäkantinen kirja
58,10
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Through the Lens of Allen E. Cole - A Photographic History of African Americans in Cleveland, Ohio
32,40 €
Kent State University Press
Sivumäärä: 144 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2012, 28.02.2012 (lisätietoa)
Kieli: Englanti
A remarkable visual record of Cleveland's African American community spanning five decades

During the Great Depression, photographer Allen Eugene Cole posted a sign in front of his studio in Cleveland's Central neighborhood: somebody, somewhere, wants your photograph. An entrepreneurial businessman with a keen ability to market his images of Cleveland's black experience, Cole was deeply immersed in civic life. A founder and treasurer of the Progressive Business League, Cole was an officer of the Dunbar Life Insurance Co., a member of St. James African Methodist Episcopal Church, and active in the Elks and Masons. For years he was the only black member of the Cleveland Society of Professional Photographers. Well into the 1960s his photographs appeared regularly in the Call & Post, Cleveland's African American weekly newspaper.A migrant to Cleveland in 1917, Allen Cole developed an interest in photography while employed as a waiter at the Cleveland Athletic Club. By 1922 he had opened his first studio at home, enlarging it over the years. It was in this studio that he photographed Perry B. Jackson, Ohio's first African American judge.

The images of Jackson and the hundreds of other African Americans included in this volume were chosen from the thousands of photographs in the Allen Cole Collection at the Western Reserve Historical Society. They illustrate the diverse experiences among Cleveland's vibrant African American community. Social organizations, women's and men's clubs, civic and church groups, schoolchildren and teachers, businessmen, and politicians are all included in this charming and unique collection. In the accompanying text authors Samuel Black and Regennia Williams place Cole and his comprehensive visual catalog in the context of African American history and the Great Migration.

Through the Lens of Allen E. Cole mines Cole's exceptional midtwentieth-century photographic chronicle of African American life and will be an invaluable resource for anyone interested in American history, as well as specialists in African studies, history, sociology, urban affairs, and the photographic arts.

Foreword by: Deborah Willis

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