Magdalena Holzhey; Katharina Neuburger; Kornelia Röder; Hans Dickel; Antje von Graevenitz; Gerhard Graulich; C Lerm Hayes Hatje Cantz (2021) Kovakantinen kirja
H. Berhardt; K. Gläßner; L.R. Grote; G. Lepehne; E. Magnus-Alsleben; O. Platz; van der Reis; M. Rosenberg; A. Weber Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (1927) Pehmeäkantinen kirja
Hatje Cantz Sivumäärä: 428 sivua Asu: Kovakantinen kirja Julkaisuvuosi: 2021, 25.11.2021 (lisätietoa) Kieli: Englanti
In conversations and interviews Joseph Beuys mentioned Marcel Duchamp more than any other artist. And hardly anyone else seems to have challenged him more than this artist from the previous generation. Direct evidence of this is his oft-cited action Das Schweigen von Marcel Duchamp wird überbewertet (The Silence of Marcel Duchamp is Overrated) from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This richly illustrated catalogue is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists’ future-oriented potential.
