Jörg Holzhäuser (ed.); Petra Holzhäuser (ed.); Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Gundert-R Springer Vieweg (2017) Kierreselkäinen
Jörg Holzhäuser; Petra Holzhäuser; Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer Fachmedien Wiesbaden (2017) Kierreselkäinen
Jörg Holzhäuser (ed.); Petra Holzhäuser (ed.); Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Gundert-R Springer Vieweg (2017) Kirja
Jörg Holzhäuser (ed.); Petra Holzhäuser (ed.); Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Gundert-R Springer Vieweg (2017) Kirja
Jorg Holzhauser; Petra Holzhauser; Eckhard Baum; Herbert F Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2017) CD-ROM
Jorg Holzhauser; Petra Holzhauser; Eckhard Baum; Herbert F Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2017) CD-ROM
Jörg Holzhäuser (ed.); Petra Holzhäuser (ed.); Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Gundert-R Springer Vieweg (2018) Kierreselkäinen
Jörg Holzhäuser (ed.); Petra Holzhäuser (ed.); Eckhard Baum; Herbert F. Bender; Albrecht Broemme; Herbert Desel; Gundert-R Springer Vieweg (2018) Kierreselkäinen
Jorg Holzhauser; Petra Holzhauser; Eckhard Baum; Herbert F Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2018) Kierreselkäinen
Jorg Holzhauser; Petra Holzhauser; Eckhard Baum; Herbert F Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2017) CD-ROM
Jorg Holzhauser; Petra Holzhauser; Eckhard Baum; Herbert F Bender; Albrecht Broemme; Herbert Desel; Ursula Gundert-Remy Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2017) CD-ROM
Transcript Verlag Sivumäärä: 206 sivua Asu: Pehmeäkantinen kirja Julkaisuvuosi: 2011, 27.07.2011 (lisätietoa) Kieli: Englanti Tuotesarja:Lettre
Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of »the uncanny« into their novelistic discourses. The two texts under scrutiny - Paul Auster's »City of Glass« and Toni Morrison's »Jazz« - show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences.
