Tekijä: Paula Rabinowitz Kustantaja: The University of North Carolina Press (1991) Saatavuus: | Arvioimme, että tuote lähetetään meiltä noin 1-3 viikossa
Tekijä: Cristina Giorcelli; Paula Rabinowitz; Laura Montani; Mariuccia Mandelli Kustantaja: MP - University Of Minnesota Press (2012) Saatavuus: Noin 14-17 arkipäivää
Tekijä: Thierry Cazenave; David Costa; Orlando Lopes; Raúl Manásevich; Paul Rabinowitz; Bernhard Ruf; Carlos Tomei Kustantaja: Birkhauser Verlag AG (2005) Saatavuus: Noin 17-20 arkipäivää
Tekijä: Cristina Giorcelli; Paula Rabinowitz Kustantaja: University of Minnesota Press (2015) Saatavuus: | Arvioimme, että tuote lähetetään meiltä noin 1-3 viikossa
Tekijä: Ian Whates; Rosanne Rabinowitz; Donna Scott; Paul Melhuish; Hal Duncan; Chaz Brenchley; Sarah Singleton; Andy West; Robe Kustantaja: NewCon Press (2016) Saatavuus: Ei tiedossa
Tekijä: Christopher Breu; Elizabeth A. Hatmaker; Paula Rabinowitz; Alexander Dunst; Sean Grattan Kustantaja: ME - Fordham University Press (2020) Saatavuus: Ei tiedossa
Verso Books Sivumäärä: 290 sivua Asu: Pehmeäkantinen kirja Julkaisuvuosi: 1994, 17.12.1994 (lisätietoa) Kieli: Englanti
They Must Be Represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s, about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema.
A great deal of documentary expression has been influenced by developments in cultural anthropology, as committed artists brought their cameras and typewriters into the field not only to report, but also to change the world. Yet recently the projects of both anthropology and documentary have come under scrutiny. Rabinowitz argues that the gendering of vision that occurs when narratives confirm to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectator in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history.