J. A. Cotruvo; A. Dufour; G. Rees; Jamie Bartram; R. Carr; D. O. Cliver; G. F. Craun; Ronald Fayer; V. P. J. Gannon IWA Publishing (2004) Kovakantinen kirja
Zhengbin Hu; I.L. Bezhenar; O.Y. Vanchulyak; A. G. Ushenko; Yu. A. Ushenko; Mykhailo P. Gorsky; Igor Meglinski Springer Verlag, Singapore (2023) Pehmeäkantinen kirja
S.G. Amara; E. Bamberg; B. Fleischmann; T. Gudermann; S.C. Hebert; R. Jahn; William J. Lederer; R. Lill; A. Miyajima Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2007) Kovakantinen kirja
W M C Van Aalderen; M J I J Albers; A C E de Blécourt; G Bleijenberg; H Boxma; C Braet; O F Brouwer; B Derkx; H J Drie Bohn,Scheltema & Holkema,The Netherlands (2009) Pehmeäkantinen kirja
H. Curschmann; O. Gagel; E. Gamper; M. Goerke; J. Hallervorden; H. Josephy; L. Kalinowsky; F. Kehrer; G. Kreyenberg; Ma Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (1936) Pehmeäkantinen kirja
Göran O Eriksson (övers.); Sven Åke Heed (övers.); Ulf Peter Hallberg (övers.); Lars Forssell (övers.); Daniel Pedersen Bokförlaget Faethon (2021) Pehmeäkantinen kirja
Pure Vida Sounds Asu: CD-levy Vuosi: 2024, 13.09.2024 Kieli: und
Multi-talented, Ghana-born, UK-based sonic shamanKOG (Kweku of Ghana - the professional name of vocalist, composer and visionary Kweku Sackey) presents his third album onPura Vida, the imprint of respected French labelHeavenly Sweetness spearheaded by much-loved French DJ and producerGUTS, With special guests Pat Thomas, Dizraeli, Fameye, Ogunskele.
Born and raised in Ghana, but having spent much of his adult life in the UK, for K.O.G this record can be seen as the culmination of a lifetime spent absorbing, combining and refining the diverse influences that have shaped his music and his character.
Kweku explains:"This album is a very personal journey. I speak about three things: the soul of my community, where I found my inspiration. The roots, highlife, soul, going to church, being around traditional ceremonial setups. Taking people to the very origin of my voice, my soul, my impulses, my community, my culture.
And the next phase is cross-culture: living half of my life in UK and half of my life in Ghana. Putting myself at this crossroads to see the effect of the sonic consciousness, how awake I am with the music from Ghana, and also how living here, having children and family here has also influenced my music.
And thirdly, it's mirroring my personal journey. Starting in Ghana, with my band in Ghana, and my roots, then moving up to UK, Going from Zone 6 all the way to Europe."
Highlife - the syncopated fusion of local music and jazz which is at the core of Ghanaian music, and which from the 1930s spread like wildfire across anglophone West Africa - is one of the core building blocks of this album. But don't be fooled by the catchy melodies and bright sonics. K.O.G is using it to speak about some topics that are anything but bright. "Highlife is absolutely dark. Most of the places you hear real highlife music, it's funerals! And it's part of the culture. Death is part of life. Seeds die for life to germinate. Art is just an emotive expression, when you can cause an emotion in somebody, and it's not always happiness."
This theme of self-expression and vulnerability is a consistent one throughout the record.
