Vicent J. Martinez; Enn Saar; Enrique Martinez Gonzales; Maria Jesus Pons-Borderia Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2008) Kovakantinen kirja
Kallioniemi Arto; Toom Auli Ubani Martin; Linnansaari Heljä Kumpulainen Kristiina (toim.) Suomen kasvatustieteellinen seura (2008) Pehmeäkantinen kirja
Vicent J. Martinez; Enn Saar; Enrique Martinez Gonzales; Maria Jesus Pons-Borderia Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2010) Pehmeäkantinen kirja
Radio France Asu: CD-levy Vuosi: 2024, 09.02.2024 Kieli: und
Gramophone Awards
2024
Shortlisted - Contemporary
Saariaho: Maan varjot - Shadows fly (misterioso ma intenso)
Saariaho: Maan varjot - Dome (lento calmo)
Saariaho: Maan varjot - Flowers, ruins, statues (energico)
Saariaho: Château de l'âme - La liane
Saariaho: Château de l'âme - A la terre
Saariaho: Château de l'âme - la liane
Saariaho: Château de l'âme - Pour repousser l'esprit
Saariaho: Château de l'âme - Les formules
Saariaho: True Fire - Proposition I
Saariaho: True Fire - River
Saariaho: True Fire - Proposition II
Saariaho: True Fire - Lullaby
Saariaho: True Fire - Farewell
Saariaho: True Fire - Proposition III
Saariaho: Offrande
Kaija Saariaho (1952-2023), featured in 2017 at Radio France's Festival Presences of contemporary music, was a central figure in a generation of internationally renowned Finnish composers and performers.
Kaija Saariaho developed computer-assisted composition techniques and mastered working with tape and live electronics, but she also encountered French composers of so-called spectral music, whose techniques are based on computer analysis of the sound spectrum of individual notes on different instruments.
In the profusion of works that Saariaho has produced in recent years, two features have marked her entire career. One is the close collaboration with other artists –writers, directors, musicians, etc.– in the creation of new works. The other is the concern to make her music, not the treatment of an abstract process, but an urgent sharing of ideas, images and emotions from the composer to the listener.
This collection is the recording echo of the Festival Presences (created in 1991) and its commissioning and creation activities, supported by Radio France's musical ensembles.