Andreas Bock; Marco Juran; Andreas Klöhn; Renate Müller-Lücht; Christian Mutter; Peter Telschow; Sven Wersien Westermann Berufl.Bildung (2017) Kovakantinen kirja
Christian Drosten; Manfred Weitz; Thomas Meyer; Andreas Roth; Marcus Panning; Ulf Göbel; Annette Moter; Lutz von Müller Urban&Fischer/Elsevier (2011) Irtolehti
Hartmut Zückner; Marc Knepper; Thilo Müller; Holger Prüß; Doris Reifarth; Robert Richter; Martin Sommer; Andreas Starke Bundesverb. Stotterer-Sel (2016) Pehmeäkantinen kirja
Bernd Haferstock; Andreas Hilka; Olaf John; Thomas Müller; Stefan Nellshen; Michael Schütze; Marco Simonis; Geor Thurnes Müller Jur.Vlg.C.F. (2018) Pehmeäkantinen kirja
Lisa Cohen; Andreas Müller; Kainas Centmy; Marcella Montreux; Frank Feuer; Jane Hewer; Theresa Crown; Carsten Wohlmuth Carl Stephenson Verlag (2017) Pehmeäkantinen kirja
Steffen Krestin; Marcel Piethe; Reinhold Jacobs; Andreas Kitschke; Matthias Fichtmüller; Anna Fichtmüller; Katrin Marx Ammian Verlag (2024) Lehtivihko, moniste
Karim Fathi; Marco Vitale; Federico Giudiceandrea; Ingrid Kofler; Riel Miller; Wolfgang Müller-Pietralla; Nicol Palmarini Athesia Tappeiner Verlag (2025) Pehmeäkantinen kirja
Thomas Bredehorn; Malin Gerhardt; Marcus Hintze; Sylvia Kaczmarek; Beate Moll; Lukas Müller; Andrea Raida; Christi Rauch Fraunhofer Verlag (2025) Pehmeäkantinen kirja
The first multi-disciplinary reconsideration of Lynch's uvre
Offers multi-disciplinary approaches to transmediality Provides new readings of David Lynch's open uvre Explores new methods and approaches in film studies, e.g. videographic criticism
Networked David Lynch is a multi-disciplinary reconsideration of Lynch's uvre in the context of the challenges and opportunities offered by transmedia environments and networks of the 21st century. This collection builds on state-of-the-art-research concepts like video-graphic criticism and video essays to provide a fresh and important approach to any study of David Lynch's uvre. As such, Networked David Lynch is an attractive entry point to current media theory and recent film history, appealing to cinephiles, academics, researchers, and students.
This multi-disciplinary reader provides immediate relevance to university courses focusing on modern film history and on current theory in film, television, and media studies. The scope of approaches featured in the book provides an informative basis for courses on transmedia and media convergence, sound studies, musicology, cultural studies, and American studies.
