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Manuel Fontán del Junco | Akateeminen Kirjakauppa

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Genealogies of Art, or the History of Art as Visual Art
Manuel Fontán Del Junco; José Lebrero Stals; María Zozaya Álvarez
Fundacion Juan March (2020)
Kovakantinen kirja
72,10
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SIGNIFICADO DE LO ESTETICO : CRITICA DEL JUICIO Y FILOSOFIA DE KANT
MANUEL FONTAN DEL JUNCO
EUNSA (1994)
Pehmeäkantinen kirja
53,50
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Before América
Manuel Fontan del Junco; Manuel Fontán del Junco; María Toledo Gutiérrez; Rodrigo Gutiérrez Viñuales
Artbook D.A.P. (2024)
Kovakantinen kirja
67,10
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Ad Reinhardt: Art Is Art and Everything Else Is Everything Else
Manuel Fontán del Junco; María Toledo
Fundacion Juan March (2022)
Kovakantinen kirja
66,60
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The Irascibles: Painters Against the Museum (New York, 1950)
Daniel Belasco; Bradford R. Collins; Beatriz Cordero; Manuel Fontán del Junco; Charles H. Duncan; Horacio Fernández; Hirsc
Fundacion Juan March (2020)
Kovakantinen kirja
56,50
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ostoskoriin kpl
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Genealogies of Art, or the History of Art as Visual Art
72,10 €
Fundacion Juan March
Sivumäärä: 450 sivua
Asu: Kovakantinen kirja
Julkaisuvuosi: 2020, 17.03.2020 (lisätietoa)
Kieli: Englanti
How artists, historians and theorists have diagrammed art’s lineages, from the Middle Ages to Fluxus

A New York Times critics' pick | Best Art Books 2020

Genealogies of Art analyzes the visual representations of art history made by artists, critics, designers, theorists and poets alike, from the genealogical trees of the 12th through the 15th centuries and the Renaissance to more recent information graphics, including paintings, sketches, maps, plans, prints, drawings and diagrams.

The conceptual core of the book is the famed chart that Alfred H. Barr, first director of the Museum of Modern Art, composed for the cover of his landmark exhibition Cubism and Abstract Art in 1936, which sought to trace the origins of abstract art from 1890 to 1936. Around this paradigmatic chart is gathered a tremendous pageant of works by great polymaths and thinkers, including Guy Debord's situationist maps; the Guerrilla Girls' "Guerrillas in the Midst of History"; Athanasius Kircher's baroque-era trees of knowledge; George Maciunas' Fluxus diagrams; André Malraux's Museum without Walls; Otto Neurath's charts and isotypes; Ad Reinhardt's collaged histories of art; Ward Shelley's Who Invented the Avant-Garde?; Maurice Stein, Larry Miller and Marshall Henrichs' Blueprint for Counter Education; Aby Warburg's legendary Mnemosyne Atlas; and many others.

Across 450 pages, Genealogies of Art reproduces more than 500 images. In addition to these, Astrit Schmidt-Burkhardt contributes an essay titled "The Diagrammatic Shift," following by Manuel Lima's "Trees of Knowledge: The Diagrammatic Traditions of the Middle Ages and the Renaissance," both of which contextualize the relevance of this form throughout history. Uwe Fleckner explores the use of diagrammatic visualization in curatorial and collecting activities, as in the cases of Carl Einstein or Aby Warburg; and the Picasso specialist Eugenio Carmona looks at Alfred H. Barr's conception of Picasso's work, in his text "Barr, Cubism and Picasso: Paradigm and ‘Anti-paradigm.'"

Text by: Astritt Schmidt-Burkhardt, Uwe Fleckner, Eugenio Carmona, Manuel Lima

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LISÄÄ OSTOSKORIIN
Tilaustuote | Arvioimme, että tuote lähetetään meiltä noin 3-4 viikossa | Tilaa jouluksi viimeistään 27.11.2024
Myymäläsaatavuus
Helsinki
Tapiola
Turku
Tampere
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