Thomas Schlag; Ilona Nord; Wolfgang Beck; Arnd Bünker; Georg Lämmlin; Sabrina Müller; Johann Pock; Martin Rothgangel Springer Fachmedien Wiesbaden (2023) Pehmeäkantinen kirja
Katrin Baretschneider; Martina Cellmer; Johannes Fischer; Georg David Grave; Jutta Klingelmüller; Magdalena Koch-Diethör Wochenschau Verlag (2009) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; Joachim E. Trümper; Peter Wölfle; Ul Woggon Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer (2013) Pehmeäkantinen kirja
Gerhard Höhler; Atsushi Fujimori; Johann Kühn; Thomas Müller; Frank Steiner; William C. Stwalley; Joachim E. Trümper; Wöl Springer (2013) Pehmeäkantinen kirja
Pianist Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms's lieder by complete opus number. In this second instalment, Malcolm is joined by star mezzo-soprano Dame Sarah Connolly and bass-baritone Hanno Muller-Brachmann in five sets that were composed and published over a period of thirty years: Op. 72, Op. 105, Op. 43, Op. 48 and Op. 57. In a time when the middle-class was growing, song-writing was both lucrative and pleasurable, offering a myriad of ways to explore perennially popular topics like unrequited love. Yet, in the lieder recorded here Brahms immerses us in a heightened emotional world, distant from the drawing rooms and concert halls of the bourgeoisie.
"Martineau’s playing is ever alive to details, always impeccably articulated and beautifully voiced, and his two singers bring a real authority to what they sing." - Gramophone Magazine, October 2024