Maximilian M. Gail; Georg Götz; Daniel Herold; Phil-Adrian Klotz; Daniel Lüke; Johannes Paha; Jan T. Schäfer Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2023) Pehmeäkantinen kirja
Katrin Baretschneider; Martina Cellmer; Johannes Fischer; Georg David Grave; Jutta Klingelmüller; Magdalena Koch-Diethör Wochenschau Verlag (2009) Pehmeäkantinen kirja
Handel: Keyboard Suite, HWV 427 in F major
Handel: Keyboard Suite, HWV 433 in F minor
Handel: Keyboard Suite, HWV 430 in E major 'The Harmonious Blacksmith'
Brahms: Variations and Fugue on a Theme by Handel, Op. 24
Handel: Keyboard Suite, HWV 440: Sarabande
Handel: Minuet in G Minor, HWV 434 / 4
The spectacular South Korean pianist Seong-Jin Cho steps back in time, presenting three of Handel’s exquisite suites. His album “The Handel Project” couples outstanding pieces by Handel from the early 1700s with Brahms’s virtuosic “Variations and Fugue on a Theme by Handel”. Handel’s keyboard suites have remained strangers to most concert pianists. Thus, Seong-Jin Cho sheds new light on some of the most heartfelt of all Baroque music: “The Handel Project” contains three of the 28-year-old pianist’s favorite suites from Handel’s first collection of “Suites de pièces pour le clavecin”. The artist was drawn to Handel’s keyboard suites after years of immersion in music from later periods. Having fallen in love with their wealth of musical ideas and wide-ranging melodic invention, Cho listened to recordings of the works on harpsichord, the instrument for which they were conceived, and refined his finger technique in order to give different tone colours and weight to Handel’s contrapuntal lines. He has avoided the sustaining pedal as much as possible, but modified some of the dynamic markings in order to exploit the potential of a modern piano. “For me, Handel’s music comes directly from the heart, so people can easily follow it.”, says Cho. He was also keen to explore the ways in which Handel influenced later composers and so chose to record Brahms’s enormously creative response to music from one of the suites as well. Brahms based his twenty-five variations on the Air from Handel’s Suite No. 3 in B flat major HWV 434, a simple theme on which Handel himself built four short variations. For Cho, this are “the best variations that have ever been written”. The album concludes with two individual movements from Handel’s second volume of Suites de pièces pour le clavecin, published in 1733: a Sarabande in B flat major (HWV 440/3), and Wilhelm Kempff’s arrangement of a Menuetto in G minor.
