Justin B. Bullock; Yu-Che Chen; Johannes Himmelreich; Valerie M. Hudson; Anton Korinek; Matthew M. Young; Baobao Zhang Hurst&Co. (2024) Kovakantinen kirja
Arcana Asu: CD-levy Vuosi: 2022, 31.03.2022 Kieli: und
Presto Editor's Choice
April 2022
Raffaele La Ragione (mandolin), Il Pomo d'Oro, Francesco Corti
Paisiello: La serva padrona: Sinfonia
Haydn: Sinfonia in D Major Hob.I:106: Allegro
Vivaldi: Concerto in C major for mandolin / lute, RV425
Galuppi: Il mondo alla roversa: Sinfonia
Paisiello: Concerto for Mandolin and Strings in E flat major
Lecce: Concerto in G major
Hummel, J: Mandolin Concerto in G major
Two years after the great acclaim aroused by Beethoven and his Contemporaries, his first recording for Arcana (‘Young Raffaele La Ragione is to the mandolin today what Gustav Leonhardt once was to the harpsichord’ - Le Monde), Raffaele La Ragione returns with an album containing the four best known mandolin concertos, which appear in a new light here thanks to the use of three different period mandolins. For this ambitious project he is joined by the brilliant orchestra Il Pomo d’Oro, universally renowned for its lively, dynamic interpretations of instrumental and vocal music from the Baroque and Classical periods (with Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński) and directed here by its principal guest conductor Francesco Corti, a harpsichordist of international repute. From Vivaldi’s famous mandolin concertos, by way of the typically Neapolitan examples by Paisiello and Lecce, to the two more Classical concertos of Hummel (these last in their world premiere recording on historical instruments), four concertos and three precious instruments restore this repertory to its rightful place and relate almost a century of mandolin history.
"Corti is seemingly incapable of music-making that doesn't dance and shimmer, but his isn't the only Midas Touch in evidence on this irresistible programme of mandolin concertos by Vivaldi, Paisiello, Lecce and Hummel - La Ragione taps into a wealth of colours in each work too, showcasing the distinctive timbres of three different period mandolins (a relatively dry instrument for the Vivaldi, something significantly sparklier for Paisiello) in the process." - Katherine Cooper, Presto Music, April 2022.
