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Thomas Day: Master Craftsman and Free Man of Color
Patricia Phillips Marshall; Jo Ramsay Leimenstoll
UNIV OF NORTH CAROLINA PR (2010)
Kovakantinen kirja
65,20
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Siirry koriin
I Believe God
Pastor Jo Anne Ramsay
Salem Author Solutions (2023)
Pehmeäkantinen kirja
20,40
Tuotetta lisätty
ostoskoriin kpl
Siirry koriin
Legacy Sport - How to Win at the Business of Sport in the Age of Social Good
Neill Duffy; Fabien Paget; Jo Ramsay
Sunbury Press, Inc. (2020)
Pehmeäkantinen kirja
18,80
Tuotetta lisätty
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Siirry koriin
Thomas Day: Master Craftsman and Free Man of Color
65,20 €
UNIV OF NORTH CAROLINA PR
Sivumäärä: 320 sivua
Asu: Kovakantinen kirja
Painos: New edition
Julkaisuvuosi: 2010, 01.06.2010 (lisätietoa)
Kieli: Englanti
Tuotesarja: Richard Hampton Jenrette Archi
This title discusses about the legendary artisan of antebellum North Carolina, in words and pictures. Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina - white or black - during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The many photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.

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