Tekijä: Jeanne Campbell Reesman; Sara S. Hodson; Philip Adam; Jack London Kustantaja: University of Georgia Press (2010) Saatavuus: Noin 15-18 arkipäivää
Tekijä: Wilfred L. Guerin; Earle Labor; Lee Morgan; Jeanne C. Reesman; John R. Willingham Kustantaja: Oxford University Press (2005) Saatavuus: Loppuunmyyty.
Tekijä: Wilfred Guerin; Earle Labor; Lee Morgan; Jeanne Reesman; John Willingham Kustantaja: Oxford University Press Inc (2010) Saatavuus: | Arvioimme, että tuote lähetetään meiltä noin 1-3 viikossa
Tekijä: Wayne Franklin; Philip F. Gura; Jerome Klinkowitz; Arnold Krupat; Mary Loeffelholz; Jeanne Campbell Reesman; Patr Wallace Kustantaja: WW Norton & Co (2012) Saatavuus: Loppuunmyyty.
Tekijä: Wayne Franklin; Philip F. Gura; Jerome Klinkowitz; Arnold Krupat; Mary Loeffelholz; Jeanne Campbell Reesman; Patr Wallace Kustantaja: WW Norton & Co (2012) Saatavuus: Loppuunmyyty.
Tekijä: Phillip F. Gura; Jerome Klinkowitz; Wayne Franklin; Arnold Krupat; Mary Loeffelholz; Jeanne Campbell Reesman; Pat Wallace Kustantaja: WW Norton & Co (2011) Saatavuus: Loppuunmyyty.
Tekijä: Wayne Franklin; Philip F. Gura; Jerome Klinkowitz; Arnold Krupat; Mary Loeffelholz; Jeanne Campbell Reesman; Patr Wallace Kustantaja: WW Norton & Co (2012) Saatavuus: Loppuunmyyty.
Tekijä: Wayne Franklin; Philip F. Gura; Jerome Klinkowitz; Arnold Krupat; Mary Loeffelholz; Jeanne Campbell Reesman; Patr Wallace Kustantaja: WW Norton & Co (2012) Saatavuus: Loppuunmyyty.
This title presents the first thorough examination of race in London's life and writing.Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's ""Racial Lives"" offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others - most often as protagonists - in his short fiction.Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed 'heritage' of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a 'psychology of want' helped construct the many 'houses' of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas.With new readings of ""The Call of the Wild and Martin Eden"", and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.