Klaas Jan van den Berg (ed.); Ilaria Bonaduce (ed.); Aviva Burnstock (ed.); Bronwyn Ormsby (ed.); Mikkel Scharff (ed.); Car Springer (2020) Kovakantinen kirja
Gerard Buskes (ed.); Marcel de Jeu (ed.); Peter Dodds (ed.); Anton Schep (ed.); Fedor Sukochev (ed.); Jan (ed. van Neerven Birkhäuser (2019) Kovakantinen kirja
Mark A. Sutton; Clare M. Howard; Jan Willem Erisman; Gilles Billen; Albert Bleeker; Peringe Grennfelt; Hans van Grinsven Cambridge University Press (2011) Kovakantinen kirja
Marijn Janssen; Matti Mäntymäki; Jan Hidders; Bram Klievink; Winfried Lamersdorf; Bastiaan van Loenen; Anneke Zuiderwijk Springer International Publishing AG (2015) Pehmeäkantinen kirja
Kelly Sue Deconnick; Gerardo Sandoval; Jan Van Meter; Filipe Andrade; Matteo Buffagni; Scott Hepburn; Pepe Larraz; Olliff Panini Verlags GmbH (2017) Pehmeäkantinen kirja
Willem M. Speelman; Willem Marie Speelman; Gerard P. Freeman; Gerard Pieter Freeman; Jan van den Eijnden Vrije Uitgevers, De (2010) Pehmeäkantinen kirja
Springer Sivumäärä: 606 sivua Asu: Kovakantinen kirja Julkaisuvuosi: 2020, 18.02.2020 (lisätietoa) Kieli: Englanti
Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics.
This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project ‘Cleaning of Modern Oil Paints’. It is also a follow-up on ‘Issues in Contemporary Oil Paint’ (Springer, 2014).
The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists’ materials and techniques; the artists’ voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display.
The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.