Johann Sebastian Bach; Johannes Brahms; Sigfrid Karg-elert; Franz Liszt; Felix Mendelssohn; Max Reger; Robert Schumann Julkaisija: Chandos (2022) CD-levy
Camilla Damkjær; Anne Lundqvist; Roland Lysell; Lilian Munk Rösing; Richard Sörman; John-Paul Zaccarini; Barbro Sigfridsson Stiftelsen för utgivning av teatervetenskapliga studier (2009) Kovakantinen kirja
Chandos Asu: CD-levy Vuosi: 2022, 27.01.2022 Kieli: und
Gramophone Magazine
March 2022
Editor's Choice
Bach, J S: Art of the Fugue in D Minor, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus XIV a4 "Unfinished Fugue"
Felix Mendelssohn, Rudolf Lutz: Sonata on the Choral O Haupt voll Blut und Wunden
Schumann: Sechs Fugen über den Namen B.A.C.H, Op. 60
Brahms: Fugue, WoO 8
Bach, J S: Ricercar à 6
Liszt: Präludium und Fuge über den Namen B.A.C.H, S. 260
Reger: Fantasie und Fuge über B.A.C.H, Op.46
Karg-Elert: Passacaglia and Fugue on B.A.C.H, Op. 150
In musical notation in Germany, the letter ‘h’ is used to represent the note b natural. So, the name ‘Bach’ forms an elegant phrase of two pairs of falling semitones. This proved an inspiration to Johann Sebastian, whose musical ‘signature’ appears again and again throughout his extensive output. Two shining examples are included on this album – the ‘unfinished fugue’ Contrapunctus XIV à 4 from Die Kunst der Fuge (as completed by Lionel Rogg) and the exquisite Ricercar à 6 from Musikalisches Opfer. Bach’s signature – as well as musical invention – has directly influenced scores of other composers down the years, as evidenced by the works included here, from Mendelssohn to Karg-Elert. The organist and, from 2008 until 2021, Assistant Director of Music at St Paul’s Cathedral, Simon Johnson has used his knowledge and insight to construct this programme to demonstrate the extraordinary range and scope of the cathedral’s organ. Expertly recorded by the Chandos technical team, this album provides an outstanding testament to this fine instrument and to the unique acoustic of the world-renowned cathedral in which it sits. Recorded in surround-sound and available as a Hybrid SACD.
"The listener is quickly drawn into a sonic and musical feast...An outstandingly good release and a perfect combination of repertory, player and organ." - Gramophone Magazine, March 2022.
