Jose M Merigo-lindahl; Anna M Gil-lafuente; Luciano Barcellos De-paula; Fernando Augusto Silva-marins; Antoni Azevedo-ritto World Scientific Publishing Co Pte Ltd (2013) Saatavuus: Tilaustuote Kovakantinen kirja
Giulio Jacucci; Luciano Gamberini; Jonathan Freeman; Anna Spagnolli Springer International Publishing AG (2014) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Benjamin Blankertz; Giulio Jacucci; Luciano Gamberini; Anna Spagnolli; Jonathan Freeman Springer International Publishing AG (2015) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Ornella Leone; Annalisa Angelini; Patrick Bruneval; Luciano Potena Springer International Publishing AG (2017) Saatavuus: Tilaustuote Kovakantinen kirja
Lisa M. Hooper; Luciano L'Abate; Laura G. Sweeney; Giovanna Gianesini; Peter J. Jankowski Springer-Verlag New York Inc. (2016) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Luciano Gamberini; Anna Spagnolli; Giulio Jacucci; Benjamin Blankertz; Jonathan Freeman Springer International Publishing AG (2017) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Jaap Ham; Anna Spagnolli; Benjamin Blankertz; Luciano Gamberini; Giulio Jacucci Springer International Publishing AG (2018) Saatavuus: Tilaustuote Pehmeäkantinen kirja
Dan Slott; Sean Izaakse; Carlo Magno; Francesco Manna; Paco Medina; Bob Quinn; Luciano Vecchio Panini Verlags GmbH (2021) Saatavuus: Hankintapalvelu Pehmeäkantinen kirja
In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy fills this gap. The book introduces readers to films and documentaries by recognised women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored.
Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers’ challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women’s rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women’s (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination.
This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.