Hans-Jürgen Balz; Christina Sievert; Dirk Sievert; Helge Thiemann; Kai Züchner; Klaus Rudolf Berger; Andrea Busche; Hamel Westermann Berufl.Bildung (2014) Kovakantinen kirja
Hans-Jürgen Balz; Dirk Sievert; Helge Thiemann; Kai Züchner; Klaus Rudolf Berger; Andrea Busche; Niels Hamel; Hartmann-Ne Westermann Berufl.Bildung (2014) Pehmeäkantinen kirja
Andre P Hamel; Rolien Kunz; Barend Barnard; Cornelie Crous; Monique DuPlessis; Jana Lambrecht; Vincent Motholo; Penning OUP Southern Africa (2014) Pehmeäkantinen kirja
Andreas H Hamel; Frank Heyde; Andreas Löhne; Birgit Rudloff; Carola Schrage Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2015) Kovakantinen kirja
Andreas H Hamel; Frank Heyde; Andreas Löhne; Birgit Rudloff; Carola Schrage Springer-Verlag Berlin and Heidelberg GmbH & Co. KG (2016) Pehmeäkantinen kirja
Sergei Rachmaninoff embarked on his compositional career with five short piano pieces, which he presented for the first time in December 1892 in a concert in Charkow (now Kharkiv). The second piece, with the unremarkable title “Prélude”, is the famous Prélude in C sharp minor which was soon played throughout the world and was to become Rachmaninoff’s most-performed encore. But the other pieces, quite different in character, continue to enjoy general popularity amongst pianists to this day. For they are all “typical” Rachmaninoff and at the same time technically easy to master, even for amateurs. The edition is based on the first edition and the autograph preserved in the Glinka Museum, Moscow. As well as the original version of 1892, this Urtext edition also includes two revisions which Rachmaninoff made of Mélodie and Sérénade almost 50 years later in the USA, thereby allowing a direct insight into his changed pianistic ideas. The fingering is by the Rachmaninoff expert Marc-André Hamelin.